Shure 1963 catalogue microphones electronic components

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AIA FILE NO. 314

MICROPHONES
ELECTRONIC COMPONENTS

53

N 31H VIV

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3

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STUDIO MICROPHONES

STUDIO UNI-RON
UNI-DIRECTIONAL RIBBON MICROPHONE*

This quality microphone is designed for discriminating users
with the most exacting professional requirements. The rugged
333" is highly recommended for motion-picture studios, TV
studios, radio stations, professional recording, and all other
uses where quality requirements are of the highest. The 333"
is super-cardioid, uni-directional-rcduces the pickup of random
noise energy by TEE-prevents the pickup of moving props
and scuffiing feet. The 333" Studio features the patented,
world-famous Shure Uniphase acoustical network system-~21
field-proved standard of quality.

STUDIO SLENDYNE
OMNI-DIRECTIONAL DYNAMIC MICROPHONE*

The Studio 525" is an exceptionally fine, slender microphone
of broadcast quality. It is custom-built to provide high fidelity
reproduction of voice and music. The microphone has complete
versatility and reliability for indoor and outdoor use and may
be used: (I) on a conventional floor or desk stand, (2) in the
hand, and (3) with the lavalier cord and belt clip assembly.
The use of high efficiency magnetic materials and specially
designed magnetic circuits has made it possible to develop this
small microphone and still achieve maximum operating efii-
cieney. The microphone is ruggedly built to withstand hard
usage and is unaffected by temperature and humidity variations.

STUDIO GRADIENT1
BI-DIRECTIONAL RIBBON MICROPHONE"

This professional quality multi-impedance microphone is widely
used for tape recording, broadcast and highest quality Public
Address use. The 300" has a specially designed anti-PFF
filter screen-which eliminates pickup of distracting breath
noises. It provides sound pickup at the front and rear of the
microphone, but greatly reduces pickup at the sides. One of the
outstanding features of the 300 is the fact that the microphone
can be placed at a 73 70 greater distance from the performer than
is possible with omni-directional microphones. It is ideal for
highest-quality reproduction, especially wherever multi-pcrson
pickup is desired, yet background noise must be reduced.

*A railable in matched sets for stereo recording at no additional cost. (Matched to plus or minus 1 db in level and 11/; db in frequency
response.)