Genesis g 1 1 owners manual
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Page 1
Ver 2.0 2 22 2 ~ÄëçäìíÉ=ÑáÇÉäáíó Details: Genesis Advanced Technologies 654 S Lucile St Seattle, WA 98108 USA Tel +1 206 762 8383 Fax +1 206 762 8389 www.genesisloudspeakers.com Here are the serial numbers of your Genesis 1.1 System. Please keep this document safe for future reference. Serial Numbers Mid/Tweeter Panels : ________________ Woofer Towers : ________________ Bass Amplifiers : ________________ Dealer: Date: .
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Ver 2.0 3 33 3 ~ÄëçäìíÉ=ÑáÇÉäáíó A Message from Genesis Congratulations! You are now the owner of the finest loudspeaker system in the world. The Genesis Advanced Technologies 1.1 Loudspeaker System is the embodiment of our philosophy of absolute fidelity – the ability to reproduce any musical event faithfully, with no compromise, in your home. With its vast abilities, the Genesis 1.1 is also able to deliver sound as the filmmaker intended in home theater applications. The Genesis 1.1 is commissioned for the most discerning music lovers in the world. Every system is custom made and unique. It is the state-of-the-art in transducer technology and craftsmanship. A Short History: In June 1979, Mr. Arnie Nudell, the founder of Infinity Systems and Genesis, headed a small team at Infinity that conceived and created the remarkable Infinity Reference Standard (IRS). This soon came to be known as the worlds ultimate reference system for the reproduction of music. Fourteen years later in June 1993, Nudell, in collaboration with Paul McGowan, introduced to the world the Genesis 1 – a new benchmark for the reference loudspeaker system. The current Genesis 1.1 embodies over 20 years of evolution and revolution in loudspeaker design. It is the current ultimate reference for the reproduction of music. Whereas many other products might excel in one or more key areas, the Genesis 1.1 excels in every important aspect of sound reproduction: Spectral Coherence: The sound must be seamless, as if the lowest bass frequencies were cut from the same cloth as the highest frequencies. Harmonic Structure: All instruments must be readily identifiable by their harmonic content. There must be a uniformly consistent energy vs. frequency ratio throughout the entire audio spectrum with uniformly low distortion in order for this to be achieved. Macro Dynamic Capability: Sometimes characterized as dynamic range, macro-dynamics can be best defined in musical terms – from mezzo forte (mf or medium-loud), to triple forte (fff or very loud).