Fisher X 100 Owners Manual
This is the 19 pages manual for Fisher X 100 Owners Manual.
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Extracted text from Fisher X 100 Owners Manual (Ocr-read)
Page 1
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Page 2
[tnr rtsnrn X-]00 was designed to provide maximum circuit flexi- I bitity with operational simplicity at moderate cost, while main- taining the Laboratory Standards that distinguish all FISHER components. This has been achieved on a single superbly engineered chassis combining a stereophonic Preamplifier-Equalizer and Tone Control circuit, a dual-channel 40-watt Power Amplifier, and a self contained Power Supply. With the addition o{ two appropriate loud- speakers, or speaker systems (such as the FISHER XP-l), the X-100 will perform as a stereophonic sound system of the highest quality. The preamplifier section contains 14 input jacks to which may be connected eyery type of monophonic or stereophonic cartridge, tape recorder and tuner on the market, Located on the front panel are 16 controls and switches which permit the selection of any program source for either monophonic or stereophonic operation, and the adjustment of volume, balance, and tonal characteristics through every nuance of the audio spectrum. Advanced electronic circuitry, and the careful selection o{ parts, reduce hum, noise and distortion below the threshold o{ audibility. The power amplifier section, equipped with matched pairs o{ EL84's, has excellent overload characteristics and a very short recovery time, resulting in performance that is superior to amplifiers with a higher power rating. A switch-controlled Center THE FISHER X.IOO STEREOPHONIC Mosfer Control Amplifier Channel output jack is included to which a third amplifier and loud- speaker may be connected to augment the stereophonic sound pattern. Once you have operated the X-100, you will realize why FISHER produets have achieved a world-wide reputation. The guality under- Iining this reputation will assure you of years of trouble-free operation and unsurpassed listening pleasure. A NOTE ON STEREOPHONIC SOUND [lnn onveropurur of stereophonic sound has brought us close to I achieving "Concert Hall" realism in the home. This dual"channel system ofiers a distinct advantage over monophonic (single-channel) systems by virtue of two important audio characteristics: the dimen- sions of d.irection and depth. These live sound qualities are for the most part missing in monophonic systems because recordings are made and reproduced over a single channel. This is somewhat analogous to listening to music with one ear. Stereophonic recording techniques, however, utilize two separate banks of microphones which are posi- tioned at the le{t and right sections of the orchestra. In this arrange- ment, the microphones receive the musical sounds in much the same manner as the two ears of a listener. The sound picked up by each