Fisher 500 C Owners Manual
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Page 1
OPERATING INSTRUCTIONS AND WARRANTY
THE FISHER
500-0
STEREOPHONIC
FM Multiplex Receiver
PRICE $1.00
WORLD LEADER IN STEREOPHONIC HIGH FIDELIT
Page 2
CONGRATULATIONS!
With your purchase of a FlSHER instrument you have com-
pleted a chain of events that began many months ago, in our
research laboratories. For it is there that the basic concept of
the eQuipment you have just acquired Came into being-its
appearance, its functions. its quality of performance. its con-
venience of use.
But the end step-your purchase-is merely a beginning. A
door has now opened. for you and your family, on virtually
unlimited years of musical enjoyment. Recognizing that one of
the keys to pleasurable ownership is reliability, we have
designed this instrument to give long and trouble-free service.
In fact, instruments we made over twenty-seven years ago
Remember always that we want this equipment to give you
the best performance of which it is capable. Should you at
any time need our assistance toward that objective. please
write me personally.
AN IMPORTANT SUGGESTION
Many hours have been spent by our engineers and technical
writers to create this instruction book for your guidance and
enjoyment. If you want the most out of your FISHER, there is
only one way to obtain it. With the equipment before you, please
read this booklet carefully. lt will be time well spent!
are still in use today.
7409.11 1114, use... "so...
FISHER FIRSTS-Milestones in the History of High Fidelity Reproduction.
1937 First high-fidelity sound systems featuring a Menu 1956 First dual dynamrc limiters in an FM tuner for home 1961 First complete receivers with Multiplex.
power amplifier, inverse feedback. acoustic speaker use. 1961 First FM-Stereo-Multiplex tuners with STEREO BEAM.
compartments (sittinite baffle and bass reflex) and i955 :_irstfPer=ormance Monitor ill a Dish quality ampli- 1961 First loudspeaker system with frameiess woofer
ma no it: car ri es. air or ome use. can. eliminatin all arasitic resonance.
1931 Firgt exclusivelytiigh fidelity TRF tuner. featuring 1956 First FM-AM tuner with two meters. 1961 First internal SVSllChsm system to permit immedi-
broad-tuning 20.000 cycle fidelity. 956 First complete clapliic response curve indicator for ate tape playback with use of all controls and
1937 First two-unit high fidelity system with separate bass and treble. switches.
speaker enclosure. 1957 First Golden Cascade FM Tuner. 1962 First simplified-operation Control-Amplifier, with in-
1938 First coaxial speaker system. '95? First Micro! Tuning Indicator. A frequently used controls behind a front-panel cover.
1938 First high fidelity tuner with amplified Avc. l958 First Stereollhonic Radio-Monograph with Magnetic yet immediately accessible.
1939 First 3-Way Speaker in a high fidelity system. Stereo Cartridge. 1952 First loudspeaker with eddy-current-damped voice
19:19 First CGMGF-OfrChfllnel Tuning indicator. 959 First high-quality Stereo Remote Control System. coil.
1945 First Preamplifier-Equalizer with selective phono- 1959 First comnlete StereoDhOlliC FM-AM Receiver (FM' 1962 First bass speaker with combined serrated-alumi-
raph equalization. AM tuner. audio control. dO-watt amplifier). hum and fiber cone.
1948 first Dynamic Range Expander with feedback. 1959 First high-compliance plus high-efficiency free- 1952 First FM rune.- Kit with separate d'ArsonvaI meter
1949 First FM~AM Tuner with variable AFC. piston speaker system. for tuning and separate cathode ray stereo broad-
195; First 50chtt, all taint}: argyle; t | 1950 FifStAtla Psel'MlCI'G'R? '2' FM tuning and 35 3 "900'5' cast indicator (STEREO BEAM).
195 First self. owered as or to on ro. in; U to 8'9 '1 ica 0f- 1962 F' . .
1953 First selfgpgwiredd elfctronic. sharp-cut-ott filter 1960 First comple'te sterdeo FM-;15Ngllrecetivetrtwigh Gil-watt :33, fitstrie'ogphomc FM m" "'t" TUNED MAT:
s em for i i ei y use. power mm m an new on an it es. - . - . -
1953 First Universe Horn-Type Speaker Enclosure for any 50 Smithsonian Institution. Washington. 0.0. accepts 1962 {1'J§}i§2§fi§3;§n§"°'° Remote Control m a high
room location a any speaker. for its collection America's first cemmercially man- 53 First to use 8417.le3 with uni ue cavit NM
:32: :irst IFin-m Receiver with. Cancaade Front End. gluing; his" lfgiggiity radio-phonograph. made by design °
a irst ow-cost e ectronic run a or. very 1 er in . . ' . .
1954 First moderately-priced. professional FM Tuner with 1950 First reverberation device. for use in high fidelity 353 Firs; Dower ampli'tlgr .to iiseosci'lloscope-lype. tre-
'lWO meters. equipment-The Fisher Dynamic Spacexpander. 3'. CV compensa e 1" "mu" d
1955 First Peak Power indicator in 111311 fidelity. 1960 First stereo tuner with MicroTune. 953 '5'. amfi'l'itl m With SIRATABALMce. visual y-
1955 First Master Audio Control Chassis with five-position 1960 First FM tuner with six IF stages. "Mic bi #"Clnl system. . ,
mixing facilities. 1950 First FM tuner with five limiters. 1964 First. multiplex adaptor wtth flywheel. synchroniiza-
1955 First correctly equalized. direct tape-head master 1960 First front panel antenna selectOr switch. 72300 "M- 'Closely approaches ."°°'°"c" "m" °l ° 9
audio controls and seifspowered preamplifier. ohm. Local-Distant positions. reiection. and 0' 3" 5907 responses. .
1956 First to use Power Monitor in a home amplifier. 1951 First Multiplex units with STEREO Beacon and 195a First AFC: With straps lockins on weak srcnaIS. mill
1956 First All-transistorized Preamplifier-Ema izer. automatic switching. mono to stereo. no pull-in from adiecent strong signals.
0 95! FISHER RADIO CORPORATION
PNINTED IN 0.8.A.
Page 8
this condition, simply reverse the two leads from one channel of the
cartridge.
Tape Recorders
Tape recorders can be connected to play through and to record from
the 500-6. If the recorder has separate record and playback heads, the
DIRECT TAPE MONITOR system will permit you to listen to your
tapes while they are being recorded. and to have the full use of all
the audio control facilities of the 500-6 during ordinary playback of
previously recorded tapes. Connections are as follows:
STEREOPHONIC TAPE RECORDER:
l - Connect the Channel A or Left output of the tape recorder to the
Left Channel TAPE MON input jack.
2 -Connect the Channel E or Right output of the tape recorder to
the Right Channel TAPE MON input jack.
3 -Connect the Channel A or Left input of the tape recorder to the
Left Channel RCRDR OUT jack.
4-Connect the Channel B or Right input of the tape recorder to
the Right Channel RCRDR OUT jack.
MONOPHONIC TAPE RECORDER:
l - Connect the input of the tape recorder to the Left Channel RCRDR
OUT jack on the rear panel of the 500-6.
2 - Connect the output of the tape recorder to both the Left and Right
Channel TAPE MON jacks. You can obtain a Y" connector from
your dealer for this connection. This connection to both TAPE MON
jacks is necessary for tape playback and monitoring through both
speaker systems.
Tape Decks
A tape deck is the tape transport mechanism without the electronic
preamplifiers found in tape recorders. Such tape decks may be played
through the 500-6 by connecting the Channel A (or Left) output on
the tape deck to the jack on the 500-6 marked Left Channel TAPE
HEAD. The Channel B (or Right) output of the tape recorder should
be connected to the Right Channel TAPE HEAD jack on the 500-6.
A monophonic tape deck should be connected to both TAPE HEAD
jacks by using a Y connector, available from your dealer.
SPACEXPANDER
The FISHER Sracnxrmolt. Model K-IO. can be connected to the
500-6 by using the special SPAceanDea jacks on the top of the
chassis. Before installing the Srsczxrmnn. remove the two jumper
wires between the Sracuranusn jacks but retain the jumpers for
possible future use. These jumpers must be inserted when the
Smear/mom is not connected or the 500-6 will be completely in-
operative. Make the following connections to the Seacnxraunza:
1- LEFT T0 REVERE OUT jack on the 500-6 to the Channel A
OUTPUT jack on the SPACEXPANDBR.
2-RIGHT TO REVERE OUT on the 500-6 to the Channel B
OUTPUT jack on the Sucsxrmnm.
3-LEFT T0 REVERE IN jack on the 500-6 to the Channel A
INPUT jack on the Sracsxnnnaa.
4-RIGHT T0 REVERE IN jack on the 500-6 to the Channel B
INPUT jack on the SPACEXPANDER.
System Grounding
The GND terminal on the antenna terminal board. located on the
rear panel. is grounded to the chassis. and may be used to ground the
motor and tone arm of your record player in order to reduCe the m
sibility of hum. The chassis grounds of other components may also be
connected to this terminal. if desired.
TV Sound
Because television receivers differ widely in circuit design, it is
advisable to consult your servicemen before attempting to connect
the sound output of your TV set to the 500-6. However. once the
method of connection has been determined, the cable from the TV set
should be connected to both AUX input jacks. The sound portion of
the TV program will be heard when the Selector is turned to the
AUX-TAPE position. If you already have a tape recorder connected
Page 12
closure should therefore be open at the rear. Install the chassis
above other heat-producing equipment.
The 500~C is shipped with four plastic mounting feet attached to
the bottom of the chassis. To install the 500~C in a custom cabinet.
these mounting feet must first be removed.
HORIZONTAL MOUNTING
Installation With Cleats
To provide adequate ventilation to the underside of the chassis.
it is advisable to mount the 500-C on wooden cleats which are fastened
to the floor of the cabinet. For this installation. proceed as follows:
1 -0btain a strip of wood Vt inch square and 26 inches long. Cut
this strip in half to form two 13-inch cleats.
2 - Fasten the two cleats to the top of the mounting board with wood
screws in the position shown in Figurei3. Screw heads should be flush
with the top of the cleats. Then locate and drill four 56-inch holes
through the mounting board and cleats as indicated.
3-Saw a cutout through the front panel of your cabinet to the
dimensions shown in Figure 2. The distance between the top surface
of the mounting board and the bottom of the cutout must be the same
as the height of the cleats.
4-lnsert the 500-C chassis through the front of the panel cutout.
Slide the chassis into the cabinet until the back of the control panel
is tight against the panel of the cabinet.
5- Insert the four PIS-inch screws supplied in the accessories bag
through the holes in the bottom of the mounting board and fasten
the chassis into place.
Flush Installation
If the height of the custom cabinet will not permit you to mount
the 500-6 by means of cleats, as described in the preceding section,
the chassis may be mounted directly on the cabinet shelf. If the
chassis is mounted in this way, however, it is essential that cutouts
10
be made in the shelf as shown in Figure 3. and that the back of the
cabinet remain completely open. in order to provide proper ventilation.
For a flush-mounted installation. proceed as follows:
1 - Locate and drill the four 56-inch holes in the bottom shelf of the
custom cabinet as indicated in Figure 3.
2- Saw cutouts in the bottom shelf following the outlines shown in
Figure 3. It is absolutely essential that these cutouts be made as indi-
cated so that the necessary ventilation will be supplied to the 500-C
chassis.
3 - Saw a rectangular cutout through the front panel of your custom
cabinet to the dimensions shown in Figure 2. Note that the bottom
of the cutout coincides with the top of the mounting shelf, since
cleats are not used in this installation.
4 - Insert the chassis through the custom cabinet front panel cutout.
Slide the chassis in all the way so that the rear of the 500-C control
panel fits tightly against the front of the custom panel.
5 - Fasten the chassis to the shelf by means of four mounting screws
and flat washers. The screws are inserted from the underside of the
shelf. through the holes and into the four mounting holes formerly
used for attaching the plastic mounting feet. Use the four l-inch
screws and washers furnished in the accessories bag for this purpose.
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FIGURE 2. Front panel cutout.
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